HONEY, I'M HOME
CHOREOGRAPHER: Sue Gerrits & Sonja Palmer (3-29-98)
COUNT: 58+16+10 Phrased
TYPE: 4 Wall Line Dance
MUSIC: Honey, I'm Home by Shania Twain
Dance starts on pattern B on 8th count after she says "Hit It"
Pattern Sequence - B,A,A,B,A,C,A
PATTERN A
KNEE POPS, 3 HIP BUMPS
1 Right knee pop (put right hand on right hip)
2 Left knee pop (put left hand on left hip)
3&4 Bump hips Left, Right, Left
(swing hands at waist level Left, Right, Left
as you go down, down, up)
RIGHT SIDE, FORWARD, SIDE, FORWARD, SIDE TOE TOUCHES
5 Touch right toe side
6 Touch right toe forward
7&8 Touch right toe side, forward, side
RIGHT BEHIND, SIDE, BEHIND, SIDE, BEHIND TOE TOUCHES
9 Touch right toe behind left
10 Touch right toe side
11&12 Touch right toe behind, side, behind
OPTION: You can get arms swing back and forward
in same directions as footwork)
SYNCOPATED 8 COUNT VINE TO THE RIGHT
13& Right side step, Left cross behind
14& Right side step, Left cross over right step
15& Right side step, Left cross behind
16& Right side step, Left toe touch next to right
KNEE POPS, 3 HIP BUMPS
17 Left knee pop (put left hand on left hip)
18 Right knee pop (put right hand on right hip)
19&20 Bump hips Right, Left, Right
(swing hands at waist level Right, Left, Right
as you go down, down, up)
LEFT SIDE, FORWARD, SIDE, FORWARD, SIDE TOE TOUCHES
21 Touch left toe side
22 Touch left toe forward
23&24 Touch left toe side, forward, side
LEFT BEHIND, SIDE, BEHIND, SIDE, BEHIND TOE TOUCHES
25 Touch left toe behind left
26 Touch left toe side
27&28 Touch left toe behind, side, behind
OPTION: You can get arms swing back and forward
in same directions as footwork)
SYNCOPATED 8 COUNT VINE TO THE LEFT
29& Left side step, Right cross behind
30& Left side step, Right cross over left step
31& Left side step, Right cross behind
32& Left side step, Right toe touch next to left
8 HIP BUMPS
33 Bump hips Right
34 Bump hips Left
35&36 Bump hips Right, Left, Right
37 Bump hips Left
38 Bump hips Right
39&40 Bump hips Left, Right, Left
OPTION: Sway arms at waist level the same directions as bumps
CHARLESTON STEPS
41 Right forward step
42 Left forward toe touch
43 Left back step
44 Right back toe touch
45 Right forward step
46 Left forward toe touch
47 Left back step
48 Right back toe touch
49 Right forward step with 1/4 turn to right
50 Left forward toe touch
51 Left back step
52 Right back toe touch
53 Right forward step
54 Left forward toe touch
55 Left back step
56 Right back toe touch
OPTION: For each four counts -
clap hands in front, on hips, behind back, on hips
RIGHT FAN
57 Right fan side
58 Right fan together
PATTERN B
STEP, SLIDE, STEP TOUCH, STEP, SLIDE, STEP, TOUCH
1 Right forward step
2 Left slide behind right
3 Right forward step
4 Left toe touch next to right
5 Left forward step
6 Right slide behind left
7 Left forward step
8 Right toe touch next to left
CHARLESTON STEPS
9 Right forward step
10 Left forward toe touch
11 Left back step
12 Right back toe touch
13 Right forward step
14 Left forward toe touch
15 Left back step
16 Right back toe touch
OPTION: On Charleston steps you can use
same hand movements as in Pattern A
PATTERN C
10 COUNT VINE TO THE LEFT WITH TWO 1/2 TURNS
1 Left side step
2 Right cross behind
3 Left side step with 1/2 turn to left
4 Right side step
5 Left cross behind right
6 Right side step with 1/2 turn to right
7 Left side step
8 Right cross behind left
9 Left side step
10 Right toe touch next to left
OPTION: Snap fingers on each counts as you
bring hands in front of you, then out to side
NOTE: When you are doing Pattern C - there are no vocals
Sue Gerrits at Neenah, WI (920-722-9058)
e-mail address: sgerrits@kcc.com
Sonja Palmer at New London, WI (920) 982-6426
e-mail address: spalmer@nleco.com
From: sgerrits@kcc.com (Gerrits, Sue)
Reformatted for display on web site
Dancing Deep In the Heart of Texas
by Don & Patti Brown
http://members.aol.com/CactusStar/home.htm
Step sheet presentation copyright ©1997 by Don & Patti Brown.
All rights reserved.
Copyright for the dance remains with the original choreographer.
This step sheet may be copied, however, please retain all copyright credits.