CRAZY THING

CHOREOGRAPHER: Johnny T. Darl, June 1999
COUNT: 48
TYPE: 4 Wall Line Dance
LEVEL: Intermediate
MUSIC: Crazy Little Thing Called Love by Dwight Yoakam, 8 count lead in

RIGHT KNEE, HOLD, LEFT KNEE, HOLD, WALK FORWARD

1	Pop Right knee diagonally in front of Left knee
	(Right heel is raised)
2	Hold
&	Return Right knee to place (Right heel back to place)
3	Pop Left knee diagonally in front of Right knee
	(Left heel is raised)
4	Hold
&	Return Left knee to place (Left heel back to place)
5-8	Walk forward Right, Left, Right, Left (next to Right foot)
	styling note: the walking steps (5-8 above), may be done while
	popping the corresponding knee in front of the other knee with
	each step.

MONTEREY TURN AND HOOK, 3/4 TURN, KNEE POPS

9	Extend Right foot out to Right side
10	Pivot 1/2 turn to Right on ball of Left foot
	as Right foot is pulled back to side of Left foot
11	Extend Left foot out to Left side
12	Bring Left foot back and hook Left foot behind Right foot
13	Rotate 3/4 turn to Left on ball of Right foot
14	Hold
15	Pop Right knee forward
16	Pop Left knee forward while returning Right back to place

1/4 TURN, SHIMMY RIGHT & CLAP, 1/2 TURN, SHIMMY LEFT & CLAP

&	Step Left foot forward into Left 1/4 turn
17-20	Shimmy to Right ending with a clap on count 20
	(You can slightly lower and then raise your body thru
	the 4 count shimmy. Hip movement is encouraged)
&	Rotate 1/2 turn to Left on ball of Right foot
21-24	Shimmy to Left ending with a clap on count 24
	(same styling as 17-20 above)

STEP RIGHT, CROSS BEHIND, UNWIND 3/4 TURN, HOLD, WALK FORWARD

25	Step Right foot to Right side
26	Cross Left foot behind Right and hook
27	Unwind 3/4 turn to Left on ball of Left foot
28	Hold
29-32	Walk forward Right, Left, Right, Left (next to Right foot)

RIGHT TOE, HEEL, TOE, HOLD, LEFT TOE, HEEL, TOE, HOLD (FOOT STEPS)

33-36	Making short movements, swivel Right foot to Right,
	toe, heel, toe, hold
37-40	Making short movements, swivel Left foot to Left,
	toe, heel, toe, hold (feet should end up about 18" apart)
RIGHT HAND: CIRCLE, CIRCLE, CIRCLE, PALM UP
LEFT HAND: CIRCLE, CIRCLE, CIRCLE, PALM UP (HAND MOVEMENTS)
33-36	With hands slightly above waist level and using the index and
	middle finger, draw three imaginary circles with Right hand
	(clockwise) one for each beat of music with the circle moving
	slightly to Right as the Right foot swivels to the Right,
	ending with the Right hand in a palm up position point to Right
	side on count 36. Hold Right palm up for counts 37-40.
37-40	With hands slightly above waist level and using the index and
	middle finger, draw three imaginary circles with Left hand
	(counter clockwise)  one for each beat of music with the circle moving
	slightly to Left as the Left foot swivels to the Left,
	ending with the Left hand in a palm up position point to Left
	side on count 40.

BODY ROLL, KNEES RIGHT, LEFT, RIGHT, LEFT (PALMS ARE STILL UP)

41-44	Slow four count body roll
	(a Pedro Machado pelvic push works fine here)
45	Pop Right knee in and back
46	Pop Left knee in and back
47	Pop Right knee in and back
48	Pop Left knee in and back
	(During each knee pop, move corresponding foot
	slightly back together)
HAND MOVEMENTS FOR COUNTS 5-8
45	Bringing Right hand from palm	up position, sweep in front of
	body with finger snap and back to Right side
46	Bringing Left hand from palm up position, sweep in front of
	body with finger snap and back to Left side
47	Sweep Right hand in front with snap and back
48	Sweep Left hand in front with snap and back

BEGIN AGAIN

Choreographer note to instructors: during counts 13,14 and 27,28,
there is a 3/4 left turn executed on one count followed by a hold.
You may subsitute a 2 count turn if necessary.

From:	cjjones@lucent.com (Jones, Clevoe John, JR (Clevoe))

Reformatted for display on web site
Dancing Deep In the Heart of Texas
by Don & Patti Brown
http://members.aol.com/CactusStar/home.htm

Step sheet presentation copyright ©1997 by Don & Patti Brown. All rights reserved. Copyright for the dance remains with the original choreographer. This step sheet may be copied, however, please retain all copyright credits.